It’s been roughly fifteen years since the food localization movement gained ground nationally, but some communities and states have lagged far behind others in recovering or newly building vibrant local food economies.
And yet, many are still grappling with how true democratizing food systems and innovative financing can tangibly make a difference in relieving poverty, food insecurity, and their dark twins of hunger and obesity.
The City of Gastronomy title is a part a UNESCO network of “Creative Cities” working together toward a common mission for cultural diversity and sustainable urban development. Joining the Creative Cities Network as a City of Gastronomy will highlight Tucson’s cultural assets on a global platform. It will also promote Tucson’s diverse cultural products in national and international markets by drawing attention to our…
Gary Paul Nabhan wants to put Tucson on the map as a UNESCO City of Gastronomy, joining places like Popayán, Colombia, Chengdu, China, and Östersund, Sweden, as outposts of gastronomic excellence. “We’re … prematurely celebrating what I think will be a major international designation for Tucson,” he said.
Nabhan hopes this title will bring recognition to Tucson’s vibrant, multiethnic gastronomy community and to the fact that the city has one of the highest rates of food insecurity in the nation. In spite of Tucson’s standing as a city with considerable food diversity, many Tucsonans lack access to sufficient quantities of safe, nutritional food.
Amalia Astorga one of the most charismatic and quixotic singers, storytellers, artists and visionaries of the Comcaac (Seri) passed away in Desemboque this week, stranded by the hurricane damage to Sonoran coast and left without medical help.
One of several daughters of Jose Astorga, the artist who began the Seri ironwood carving tradition, Amalia grew up in the desert at Pozo Coyote and Desemboque, but later lived for periods of time near Puertecitos, Baja California and on the midriff islands in fishing camps.